Eminem documentary Stans leaves you in little question, that when you’re not a fan round right here, you may GTFO.

Whereas the Shady Movies-produced film does embrace cultural commentators, well-known mates, and music journalists, the doc fairly actually facilities devoted followers as the first lens by means of which to look at Marshall Mathers’ life and cultural impression — those that’ve treasured each album, demo, and mixtape, travelled the world to cheer at concert events, and even had Eminem’s face tattooed 22 instances on their physique.

Within the documentary, these followers are deemed proud stans (although they differentiate themselves by not being “an excessive amount of like Stan”). Stan is a cultural time period round fan tradition that is developed from being considerably derogatory to softly celebratory, however one which was finally born from Eminem’s 2000 hit “Stan,” during which the artist takes on the angle of an obsessive fan who murders his girlfriend. “You are similar to me,” the well-known chorus goes.

It is an attention-grabbing, unapologetically reverent tactic taken by director Steven Leckart and producers Paul Rosenberg and Tony DiSanto: nearly fully monitoring an artist’s life and profession by means of the deep information and evaluation of followers. It is an ode to the connection between creative empathy and psychological well being, a compelling exploration of fandom itself and parasocial relationships, and — particularly because of Eminem’s ultimate line — a center finger to anybody who has something damaging to say about it.

Stans, finally, safeguards itself from criticism. As a result of if it is not for you, it is not for you.

Stans places followers to the entrance, retaining the road in thoughts.

The true coronary heart of Stans, past its well-known topic, is the gathering of Eminem followers interviewed all through the movie. Every proudly takes a seat in entrance of the digital camera, introducing themself (in fact) with “My title is…” and sharing their tales of discovering and following Eminem’s work. One instance is Zolt Shady, a devoted fan since 2001, whose presence is without doubt one of the highlights of your complete documentary, exhibiting us round numerous Detroit websites from Eminem’s life like a tour information. These followers share his wins, mourn with him, and easily need him to succeed. Every fan is handled with real respect, volunteering their time within the hope that their idol will doubtlessly see their clarification for why they’re followers in any respect. Importantly, the concept of truly assembly Eminem will not be the purpose right here; they only need him to know.

Stans fairly actually supplies a definition of parasocial relationships right here, with every fan talking about Eminem as good friend. The artist himself admits a sure discomfort with the truth that followers go to websites like that of his now-demolished childhood house, saying, “It is cool that individuals care, however it’s bizarre as a result of it is me.” Nonetheless, Eminem does self-reflect on his personal idols like LL Cool J, who additionally seems within the documentary, and defines parasocial relationships himself: “You are like their finest good friend, and you do not even comprehend it.”

Regardless of the titular tune being solely concerning the matter, Stans pulls again on the very actual impression of particularly toxic fandoms, when parasocial relationships go scarily improper — one thing Tegan and Sara documentary Fanatical managed with finesse. Any evaluation of dangerous movie star worship and harassment is stored comparatively contained to a take a look at the tune “Stan” itself, a couple of feedback from Eminem and his well-known mates, some ideas from a fan about what the character Stan could be like within the age of social media, and a montage of some fairly alarming fan letters demanding entry and communication.

As an alternative, the movie stays centered on what non-toxic fandom can seem like, how individuals join with an artist’s work and even survive by it, discovering solace in shared expertise and their unapologetic “standom.”

Stans is a wild journey by means of Eminem’s profession with zero criticism.

Whereas taking a distinct strategy, Stans continues to be a chronological music documentary, shifting by means of Eminem’s turbulent childhood in Detroit, Michigan, to his early mixtapes and being “found” by Dr Dre and Interscope Data’ Jimmy Iovine, by means of his supercharged path to fame, together with the Oscar–profitable, field office-topping movie 8 Mile (based mostly loosely on Eminem’s personal life). In addition to assessing Eminem’s impression on hip-hop and the music business, the movie highlights among the extra rapscallion antics of Eminem’s profession in Stans, that includes many a naked butt cheek. It feels such as you’re shifting by means of an brisk YouTube session — bear in mind when Eminem did/mentioned that? Followers do.

The movie primarily tracks Eminem’s discography by means of fan commentary, with every connecting their very own expertise to releases together with his seminal, controversial second album The Marshall Mathers LP, towering vendor The Eminem Present, to his post-hiatus releases Relapse and Restoration. Eminem and his collaborators converse to among the writing and manufacturing of his work, and the toll that being so forthcoming with your personal experiences can take. As Eminem says, “I used to be an open ebook, and typically you need to have the ability to shut that ebook.”

Nonetheless, the movie for probably the most half has followers reflecting on how every album has impacted them personally. It is an intriguing technique, handing the essential evaluation to those that have pored over every lyric with an emotional magnifying glass, and it leads the movie to some actually touching reflections about loneliness and the ability of artistic connection.

By way of Eminem’s personal phrases and the evaluation of the followers, Stans unpacks the onstage persona Slim Shady and the way “uncancellable” the artist is behind such a personality. Nonetheless, what Stans refuses to do is sufficiently look at Eminem’s extra controversial statements and homophobic and misogynistic lyrics, whether or not delivered as Slim Shady or himself. “Anyone with half a mind goes to have the ability to inform after I’m joking and after I’m not,” Eminem says. The documentary additionally would not interact any music journalists or cultural commentators with something essential to say; it is the Eminem documentary, produced by Eminem, and foregrounding Eminem and his followers. The one music journalist in your complete documentary is Anthony Bozza, Rolling Stone journalist and creator of the ebook, No matter You Say I Am: The Life and Occasions of Eminem, and the movie pointedly takes pains to patronise previous Eminem protection from the New York Occasions columnist Maureen Dowd.

As an alternative, the primary speaking heads past the followers are Eminem’s shut collaborators and admirers — Dr. Dre and Jimmy Iovine, Ed Sheeran, Carson Daly, Adam Sandler — all of whom present perception into Eminem’s impression. However it’s the artist himself who provides probably the most uncooked opinions of himself in his darkest days.

Stans makes room to discover fame, psychological well being, and habit.

Sadly, one of the vital constant turns in music documentaries usually sees the artist combating fame and the strain of movie star, which might usually result in issues with psychological well being and substance abuse. It is a sadly frequent story that appears to come back with the territory.

Stans treats its topic, Eminem, with respect all through this part of the documentary — particularly as a result of the artist himself leads the dialog. By way of interviews down the digital camera, bolstered by commentary from his involved followers, Eminem speaks to his personal expertise with habit, which noticed the artist nearly lose his life after the surprising lack of his finest good friend and D12 member, MC Proof, who was shot and killed in a membership on Detroit’s Eight Mile in 2006.

Probably the most uncooked moments of the documentary sees Eminem talking frankly about his expertise with habit, revisiting painful recollections with remorse and willpower. The movie pairs this with commentary from Dr. Dre concerning the impression Eminem’s personal lyrics about psychological well being have had on rappers after him, pushing a pattern of being open and susceptible in hip-hop to advertise authenticity.

It is this reverence for Eminem’s genuine expression and persistence by means of wrestle that continues to be on the core of each his collaborators’ feedback and the reflections from followers. Although an overtly reverent documentary, Stans is a compelling, respectful exploration of one of many world’s most profitable and well-known artists primarily by means of the experiences and opinions of his followers.

And when you do not prefer it, in keeping with Eminem, you may “s*** a fats d***.” For actual.

Stans has a limited theatrical run exclusively in AMC Theatres Aug. 7-10.

UPDATE: Aug. 5, 2025, 9:22 a.m. Stans was reviewed out of its international premiere at SXSW London on
June 5, 2025. This text has been up to date with the newest theatrical launch info.