If there’s one clear factor director Daniel Roher‘s nifty narrative filmmaking debut, Tuner, proves, it’s that Leo Woodall is the true deal as the following huge main man in films.

You may know the British actor from Netflix’s restricted sequence, One Day, or because the charming romantic catch for Renee Zellweger within the presently Emmy-nominated Bridget Jones: Mad About The Boy (he’s the boy she’s mad about), or I can trace to you an excellent supporting flip within the upcoming Toronto Movie Pageant World Premiering drama, Nuremberg, which may land him within the Oscar dialog for the primary time. However he may even be seen at Toronto in Tuner, a film that confirms he has the chops to hold a characteristic movie and win hearts all on his personal. That movie had its World Premiere yesterday on the Telluride Movie Pageant and is prone to be one of many first movies out of the gate for Black Bear’s new distribution arm, however to date it’s formally and not using a distributor deal connected. It’s a no-brainer for the suitable one because it has quite a lot of audience-pleasing parts that might make it a sleeper hit commercially.

Woodall performs Niki, an excellent pianist whose musical profession goes up in smoke when he develops a devastating listening to situation known as Hyperacusis, one thing that causes him acute ache every time loud noises happen. He has to put on ear plugs always, however due to it, his listening to turns into so acute, it really makes him an excellent piano tuner, a job that requires pinpoint, pitch-perfect potential, one thing that helps his 88-year-old associate in a small enterprise for tuning. That associate is none apart from Harry Horowitz, performed by the inimitable Dustin Hoffman in a supporting position he knocks out of the park with appeal and a few of the greatest traces in Roher’s and co-writer Robert Ramsey’s well crafted script. The pair service varied clients in greater finish properties with pianos, even requested at occasions by purchasers if they will additionally repair the bathroom.

Niki is such an excellent match for this job — he nearly looks as if a son to Harry — in addition to a necessity as a result of Harry not has the listening to required for it. At a household dinner, Harry’s doting spouse Marla (a beautiful Tovah Feldshuh) asks him the place his listening to aids are. When Harry replies he by accident put them within the secure, modified the mix, and now can’t keep in mind what it’s, Niki involves the rescue, taking the secure to his condominium and utilizing his heightened listening to skills to crack the code.

This expertise will get extra recognition when, on one other tuning job in a giant mansion, annoying noise from one other room leads him to search out three foreign-sounding guys trying to open a secure with loud tools there. He asks them to cease, however even because the group’s chief, Uri (Lior Raz), resists, he avoids confrontation when Niki simply manages to crack the secure for them. Impressed, Uri drops him a card and says he is aware of how he could make much more cash than tuning pianos.

Circumstances come up, together with medical bills that careen uncontrolled for Marla and Harry, and Niki feels the pinch for extra cash, so he takes on some jobs cracking safes — not a sensible transfer because it seems they’re more and more harmful, as Uri and his bumbling gang are mainly thieves concerned with different felony parts, together with a cryptocurrency ring. On the similar time, as Niki is getting in a bit over his head with that, he’s additionally concerned with Ruthie (Havana Rose Liu), a music scholar with the sort of extraordinary piano skills he had. Spurred on by Harry’s awkward matchmaking, he units out on a budding relationship along with her, whilst she is torn to between him and staying on her educational path and profession goals. This goes a bit south when he presents her with a Rolex that seems to be stolen from a type of safecracking ventures with Uri.

Because the romcom first half meets the extra menacing crime-thriller second half (the place Hoffman’s spirit is diminished), Niki finds he has been making some very unhealthy life choices that complicate issues for everybody. That Roher deftly manages the shifting, generally violent, tones of the piece, is absolutely spectacular for a director who, up till this level, has solely achieved documentaries, albeit one, Navalny, that made him an Oscar winner at age 29. This can be a completely different can of worms, and each screenplay and route appear so assured it seems like he has been doing this lots longer than he has. It’s a film about looking for a second probability when it appears your life has turned the wrong way up by the playing cards dealt to you, and Roher has proven nice talent in lifting it effectively above style.

Along with the superb work from Woodall, Liu is a fascinating presence within the movie as effectively, convincingly demonstrating expertise of an completed pianist, one thing she needed to be taught from scratch. Israeli actor Raz, sounding very Russian right here (though the nationalities aren’t revealed), provides some odd appeal to his unhealthy man, lifting him above the one-dimensional stereotype we frequently discover with these characters. Jean Reno additionally turns up briefly, extra as a handy plot system (that strains coincidence somewhat too far), as a music maestro for whom Ruthie is aiming to work. Better of the supporting forged, although, is previous professional Hoffman, who proves he hasn’t diminished with time in any respect and manages to make Harry a lot missed when he isn’t on display screen.

Among the many technical credit, Oscar winner Johnnie Burns (The Zone of Curiosity) contributes beautiful sound design, going deep into the nightmare of Niki’s listening to illness, including immeasurably to the facility of Woodall’s efficiency and the movie’s impression. The music can be key right here with government music producer Marcus de Vries offering all of the onscreen unique music, and Will Bates the good underscore — all of it essential.

The Black Bear manufacturing is produced by JoAnne Sellar, Lila Yacoub, Teddy Schwarzman, Michael Heimler.

Title: Tuner
Pageant: Telluride Film Festival
Gross sales Agent: UTA
Director: Daniel Roher
Screenplay: Daniel Roher and Robert Ramsey
Solid: Leo Woodall, Havana Rose Liu, Dustin Hoffman, Tovah Feldshuh, Lior Raz, Jean Reno
Working Time: 1 hour and 47 minutes